Computer animation, in its most popular realisation,
exemplified by Pixar, Dreamworks Animation or Blue Sky Studios, dominates the
animated film category. These films, while not looking identical, share a look
and a feel which is far more similar than say Toy Story 3 (2010) does with Morph
(1977 -). In fact, TV aimed at children, especially that provided on CBBC and
CBeebies offers more variety in aesthetic than cinema aimed at children does. It
is not that computer animated cinema such as the Pixar films or Dreamworks
Animation films are bad (Zootropolis (2016)
for example, is a very good film), but they are repetitive in style and mise-en-scene.
This is why Isle of
Dogs, Anderson’s second feature length animation after Fantastic Mr. Fox (2009) is such a welcome addition to the canon of
films that feature children, are aimed at children, but have adult friendly
elements. Isle of Dogs looks like no
other mainstream kids film. Anderson’s trademark symmetry and wit are there,
but the look, even more so than Fantastic
Mr. Fox is superbly detailed and incredibly attractive. The level of detail
here is phenomenal and contributes towards a level of complete immersion in
this world that feels neither of the past, present or future, but of its own
time and being. You would surely benefit from repeated viewings, but
conversely, one viewing is very satisfying. It is an experience that is
difficult to dislike. And, for a child, who has been brought up with a repetitive
animated aesthetic, Isle of Dogs will
feel like a unique viewing experience, without sacrificing humour, story or
characters.
There have been charges of cultural appropriation aimed at
it, but it doesn’t feel manipulative or disrespectful. It is a piece of work
that is lovingly created and while it does draw on stereotypical images, there
is care in how they are handled. There are few filmmakers who deal with issues
of childhood (whether animated or not) with such respect and sensitivity and Isle of Dogs enriches the Anderson canon
further in this direction.
No comments:
Post a Comment