Sunday, 16 June 2013

On Missing Ingredients in Star Trek Into Darkness


How do you find the missing ingredient in a film that is undeniably fun? At a little over two hours long, Star Trek Into Darkness moves at such a quick pace that it feels only an hour. The film grabs a hold of you and imposes itself through a series of action set pieces and melodramatic scenes all tinged with knowing humour; knowing of its genre.

Yet something feels like it is missing, something that the first of the reboot, Star Trek (2009) had, and that is two fold. The narrative appears to lack a middle third. There is an overlong set up and a loud and spectacular final third, yet the middle is rushed and this could account for the incongruous seeming running time.

Additionally, as good as Benedict Cumberbatch is a Khan, the duality of his motives falls harder on the side of empathy than anger. Whereas Nero in the first film had understandable motives, his actions towards Starfleet were firmly immoral. Conversely, Khan is exacting vengeance upon a corrupt and despotic leader of Starfleet. This is hard to ignore and consequently it is hard to root for Kirk and his Enterprise crew. However, none of this negates from the pure enjoyable spectacle that Into Darkness is. It just means that it does not sit quite well afterwards. 

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