Alex Garland has been quick to express his disappointment that his latest film, Annihilation did not, in the UK, receive a cinematic release, but instead ended up on Netflix. His dissatisfaction is understandable as it is a visually impressive piece of work, but at the same time, he is working at a time when the industry is being turned upside down. Netflix are now at the table and able to compete for all titles. What has happened to Annihilation is a downside of this, but the content they produce themselves, that may not be made elsewhere, is the obvious upside.
Annihilation is haunting. Dreamlike. Hard to forget. It could be said to be within the science fiction or fantasy genre, but its approach and execution feel fresh and it would be hard to place it in either canon. Not too unlike Arrival (2016). It is a smart film, with a script that demands attention and pays it back with an ending that is unpredictable, subtle and tender, with just a hint of danger. A truly outstanding piece of work.
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