Mostly working in
shorts, David Lowery has moved into features with a beautiful, flowing western.
The title, Ain’t Them Bodies Saints,
is evocative of poetry and the film has a sense of being powerfully symbolic,
but incomplete. The images and how Lowery uses light are reminiscent of Malick
and Lowery is working in similar locations, moving his camera into intimate
situations. Yet by the end, there is remains a feeling that Ain’t Them Bodies Saints is lighter than
it should be, almost translucent. The beauty of the film is evident and the
acting is notable, but the details are lacking and we leave Ain’t Them Bodies Saints not moved by a
powerful love story, but impressed and excited by the director and what is to
come.
Sunday, 15 September 2013
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