Thematically similar
to Moon (2009), with some of Wall-E’s (2008) visual style and a
dénouement straight out of Independence
Day (1996), Oblivion calls on
many great films from the science fiction genre but fails to establish itself
as a individual product.
The story is sound and
after the film’s conclusion when one thinks back on it, the idea provokes
debate. Yet, it is a fault of the direction that during the film, especially
the first two acts, Oblivion is
boring. The actors (all great in previous films) deliver their lines without
passion and Oblivion seems to rest on
it’s settings, hoping these will impress us enough to forget the drawn out
story and poor direction. CGI should be there to complement the story whereas
in Oblivion it takes priority over it.
Unfortunately the CGI, while impressive, is nothing we haven’t seen before.
By the time the third
act comes, the film comes to life, but it is not enough to secure Oblivion a worthy place in the canon of
science fiction cinema. In the hands of a better director Oblivion could have been something. A Spielberg for example would
have really highlighted the story’s ethical questions, rather than disregarding
them as if they were too complicated for audiences. However, it appears we will
be given another chance at seeing a similar story delivered with more skill
when Elysium arrives later this year.
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